Thursday, April 18, 2019
Analytical essay - Homage a rameau Example | Topics and Well Written Essays - 1750 words
Analytical - Homage a rameau - Essay Exampler Jean-Philippe Rameau does not copy Rameau, but stimulates a textural analysis of his work, paying homage to his history, his life, his theories, and his compositional style.Jean-Philippe Rameau was a composer during the baroque period whose practice of medicine was marked by a technicality that expressed his desire to reflect symphony opening in his work. His work, Hippolyte et Aricie, was considered one of the best operas in the form of the tragedie en musique since the death of Jean-Baptiste Lully. Rameau desired to create new styles within new forms. His harmonies were said to be more novel, his rhythms more skillful, his orchestrations more brilliant than Lullys (Arvey 101). RameauIn creating his work, Rameau also sought to develop the artistic side of the compositions. He said that I experiment to conceal art by that same art(Arvey 101). In creating his theory that harmony was derived from a inhering sense of sound, he was rea ching into the philosophical realm and extracting a counseling of thinking about music that was elevated above the pragmatism of the mathematical equations of harmony. He wrote with an impressionistic palate (Girdlestone 571) that was dramatic and emotional, however because of his clock time period, he was unable to break through the binding forms that Clients diminished the brilliance of his construction.The way in which Rameau devised is theory allowed for the concept of the chord to be defined by the nature of the harmonic development. Rameau brought theory into line with practice realizing that the days of melody were over and much of the expressive power even of counterpoint was due to significant clashes of sound, he began his investigations with the chord given by the vibrating string and in searching for the come forth to find that sound, he searched in the sound of which can be detected the upper octave, the twelfth, the second octave, the major(ip) seventeenth, and high er harmonics (Girdlestone 519-520). The way in
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