'Keats’ presentation of time Essay\r'

'Comp atomic number 18 and contrast Keats’ insertion of conviction, briefness and mortality in â€Å"Ode to descent” with that in â€Å"Ode on a classical Urn and â€Å"Ode to nightingale” During the finish of 1814- 1820 Keats was at his most successful done with(predicate)out this time he wrote both of his major(ip) poems â€Å"Ode on a Grecian Urn” and â€Å"Ode to a nightingale”. Another boom poem of his was â€Å"Ode to Autumn” which he wrote shortly in the lead his expiry.\r\nIn this essay I entrust be addressing many aras, clarifying Keats’ opinions and savors. To do this I will compare and contrast the way in which Keats presents time, transience and mortality I will therefore rationalize how this idea is a delusion and how Keats realises this. To conclude these ideas I will line up evidence for resolution to this testify in â€Å"Ode to Autumn”. Keats is really conscious of mortality for the duratio n of both â€Å"Ode on Grecian Urn” and â€Å"Ode to a Nightingale” because Keats feels this apprehension he tries to escape by imagining immortality.\r\nKeats writes â€Å"struggle to escape” (line 9) in â€Å"Ode on a Grecian Urn” and this reveals Keats is questioning himself, along with why he flush toiletnot escape the thought of razetually dying. Many emotions are expressed while he goes through this experience. Keats feels very wishful of the nightingale and this is shown in â€Å"tis not through envy of thy smart lot” (line 5). Keats wants to escape from this natural depression and similarly the hold outledge of mortality. The main idea of this escapism shows Keats trying to go back to the state of honour; he may feel that he wants to be able to venerate his life with his brother again and to also not have to worry some life’s troubles.\r\nIn â€Å"Ode on a Grecian Urn” and â€Å"Ode to a Nightingale” envy ca n be linked to escapism, as Keats feels this envy he gets led to wanting to find escapism. In â€Å"Ode on a Grecian Urn” Keats writes â€Å"Thou foster-child of relieve and slow time” (line 2) this may suggest that Keats is covetous of the figures on the urn and how they are still able to enjoy their child hood and also their child-like innocence.\r\nKeats enjoys being some the figures on the Urn and also seems to associate them with beautiful peck and this is shown in this quote where he describes them as â€Å" laughing(prenominal), happy” (line 21). Since this emotion he may envy the thought of the figures on the urn being immortal, Keats does not actually know whether these people are immortal except he thinks that is the case. This is because he may feel that mortals cannot be happy with the thought of eventually dying and as these figures pop happy they therefore must be immortal. thither is similar situation in â€Å"Ode to a Nightingale” t he atmosphere starts to become rather intense and Keats then(prenominal) quotes â€Å"away, away!” (line 31). Keats is desperate to follow the nightingale, he even considers following it and flying away with it.\r\nKeats thought that originally he would be left with a feeling of ecstasy whereas he was left with feelings of emptiness. In â€Å"Ode to Autumn” Keats no agelong feels the need to be envious of other things. He now feels that all he can do is ask questions for example â€Å"Where are they” (line 23), Keats unfortunately does not know the answers but he still seems content with asking the questions. Throughout these tercet poems Keats has been excessively trying to seek resolution and ruttish fulfilment. Unfortunately he cannot find either in â€Å"Ode on a Grecian Urn” nor â€Å"Ode to a Nightingale” whereas he does in â€Å"Ode to Autumn”.\r\nIn â€Å"Ode to a Nightingale” Keats writes â€Å"Do I wake or sleep?† (line 82) as well as â€Å"was it a vision or a waking death?” because he is searching for these emotions all he feels is that he can do is ask questions and this is because he has no answers for why he cannot seek and successfully find emotional fulfilment. In â€Å"Ode to Autumn” he at last finds what he has been looking for, emotional fulfilment, Keats says â€Å"lives or dies”. He shows that he has found resolution whilst also realising the longer he lingers over the past the more he will miss the present time. This I called ‘carpe diem’ Keats is no longer bitter and now knows how to appreciate the forthcoming and accept his fate.\r\nKeats’ imagery ranges among all our physical sensations: sight, hearing, taste, touch, and enticement etc…Keats repeatedly combines different senses in one image, which is, he attributes the traits of one sense to another. This imagery performs a major functions in the two poems â€Å"Ode on a Gre cian Urn” and â€Å"Ode to a Nightingale”; this is the combining of senses normally go through as separate experiences. The images could be the ability to see and humanize natural objects.\r\nMany examples of this mainly come in in â€Å"Ode to a Nightingale”- for example â€Å"In some melodious plot of beechen park” (line 8/9) this combine sound â€Å"melodious” and also sight â€Å"beechen green”. In stanza 4 there is an excellent use of imagery â€Å"but here there is no light â€Å". Keats then goes on to say â€Å"Save what from heaven is with the breezes blown” (line 39) this is useful as it the image describes light filtering through leaves moved by the wind. The effect that this has is to show that Keats is feeling that death and the thought of eventually dying is wearing all the good things out of life.\r\n'