What representations of disability are offered in "The Elephant Man" (1980)?

The Elephant Man is target in 1980, in the Victorian stipulation where circus shows containing circus freaks were common. The text begins with a montage of distressing and provocative compasss, coupled with pounding and eerie music creating an vanquish atmosphere connoting the horror and thriller genres. The soundtrack is mainly non-diagetic, with exceptions of Merricks diagetic breathing to show his nervousness, yet creating a sinister design of the film in the minds of the auditory sense. Adding to this image is the shock and horror of the audience of the circus show, causing the elephant mans particle to be closed. The police presence creates a dark image, indicating danger. This could theorise the audiences views of physically and mentally alter people at the perceptiveness of conviction the film was made, as most people at the age would have viewed them as dangerous and as outcasts. An whodunit principle is created throughout the first half of the film, as the audience do not see the Elephant Man ( ass Merrick) directly. The film macrocosm shot in wispy and white reflects the Victorian age the film is set in, and it reflects the black and white views of disabled people of the era. The audience atomic number 18 positioned to empathize with washbasin Merrick, and to take note of how he is set by those in his life. Before Treeves takes Merrick on as his project, Merrick is incessantly shown in the dark, and cover up, whereas Treeves is shown in light and is a actually successful doctor. David kill has used Barthes theory of Binary foe throughout the film, with the black and white film, the dark and light of John Merrick and Dr Treeves and the views of good and monstrous in the film. The typical freak stereotype of disabled people is shown clearly throughout the... If you want to get a full essay, enounce it on our website: OrderCustomPaper.com

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